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Hand-embroidered in Lahore

Every stitch
tells a story

Kalamkaar, sozni and tilla worked thread by thread onto pure silk and pashmina — each piece a single karigar’s work of eight to fourteen months.

The studio

A private house of
embroidered cloth

Mariam Hamza Studio works in the old Kashmiri and Persian idioms — kalamkaar, sozni, aari, tilla — on silk, pashmina and jamawar. Nothing is produced in quantity. A piece is begun when it is commissioned, and it leaves the atelier when the last knot is tied.

Lahore · Doha · Dubai · New York

A close view of a shikargah shawl border, its hunting scene of deer and tigers worked in coloured silk.

The hand

Eight to fourteen
months of needle

The ground cloth is drawn by hand before a single thread is laid. From there it belongs to one karigar until it is finished — no piece passes between hands, which is why no two leave the studio alike.

01
Kalamkaar
Pictorial needlework — gardens, birds and darbar scenes drawn in thread across the full field of the shawl, never set out on a repeat.
02
Sozni
The fine Kashmiri satin stitch, worked so closely that the reverse of the cloth reads almost as clean as the face.
03
Tilla & zardozi
Flattened gold and silver wire couched into borders and pallus, reserved for the ceremonial pieces that must carry a room.
Inside the atelier →

Where we have shown

Exhibitions

By appointment worldwide

  • 2025

    Doha

    October

  • 2024

    Dubai

    Winter

  • 2023

    New York

    Spring

  • 2023

    New Jersey

    Autumn

  • 2022

    Lahore

    Studio

The salon

Come and see them
in the cloth

Photographs flatten thread. Sit with the pieces, feel the weight of the pashmina, and let us bring out what is not yet on the site. Appointments are held at the Lahore studio and, in season, at our exhibitions abroad.

Request an appointment
A client seated in an embroidered shawl, the work catching the light across her shoulder.